Plot Keywords I chose this film here because the celebrated Abenaki filmmaker told me recently: "For me a real documentary is when you are really listening to somebody. Juhasz, Alexandra. Unfortunately, we are not hiring writers now due to low season. As the documentary shows us what is going on behind the barricades, we are able to go behind the scenes and enter the psychology of the resistors.

The “Oka Crisis” brought together many, in support of the Mohawks’ cause, and pushed away those who couldn’t see the significance of this land to the Mohawk community of Kanehsatake. “Surpassing the Word: Aileen Wuornos,” in Fatal Women: Lesbian Sexuality and the Mark of Aggression, 1994, Princeton U.P., 135-154. Produced by the National Film Board of Canada, the film won 18 Canadian and international awards, including the Distinguished Documentary Achievement Award from the International Documentary Association and the CITY TV Award for Best Canadian Feature … So, I never hesitated to ask for a help and I've got a great experience at!

“WAVE in the Media Environment: Camcorder Activism and the Making of HIV TV,” Camera Obscura, January 1992, Indiana U.P., (135-150). This documentary fits into the whole theme and reality of resistance and activism in general. It was about a 270-year crisis that had its origins in the European invasion and in broken treaties. on October 12, 2008, For full quality, download the "DivX" avi file and play it with VLC (, There are no reviews yet. We witness a real event, because the documentary portrays the attempt of whites to take Mohawk territory at OKA in Quebec. It is important to understand that to shape an identity also means to assign a certain social meaning. Watch these Films campaign, and we thought an amazing historical follow up to Nadia Myre’s As I Am. [1], Rejected by Mark Starowicz of CBC Television, the film premiered in England, instead, on Channel Four. Kanehsatake is a very provocative film, and Canadians should watch it, since they will see how important it is for the Natives to engage in activism and resistance for their rights. In this context, it is important to keep in mind that identities are formed not only by politics, but also by the intersection of racial, sexual and gendered boundaries. Overall, in the documentary under examination, as well as the three readings, we see how activism and resistance occurs on the realms of race, sexuality and gender. The town of Oka wanted to add 9 holes to an existing golf course, which would use traditional Mohawk land that included a burial ground.

According to Lewis, new coverage at the time “often sumamry on government press releases and other one-sided sources.

Kanehsatake: 270 Years of Resistance, Alanis Obomsawin, provided by the National Film Board of Canada. The town of Oka wanted to add 9 holes to an existing golf course, which would use traditional Mohawk land that included a burial ground. We begin to understand that Natives, homosexuals and women are parts of groups that have had to counteract the socially imposed stereotypes perpetuated by the white dominant power structure.

Credits. This is the 6th film the Hate Racism? It is a story of perpetrators and victims. It becomes clear that this development was rooted in the reality that Mohawk land rights dated back to 1535, when France claimed the site of present-day Montreal which had been the Mohawk village of Hochelaga. In his book, Alanis Obomsawin: The Vision of a Native Filmmaker, film scholar Randolph Lewis writes: When the film was released in 1993, the CBC continued its long-standing neglect of Obomsawin's work, in this case arguing that she needed to slice thirty minutes from the two-hour film to make room for commercial breaks.

Cast; (79-86) 8. “Kanehsatake: 270 Years of Resistance” covers the Oka Crisis, a confrontation between Mohawk Indians living on a reserve near Oka (not far from Montreal) and the Canadian military. There are over Indigenous nations in the world. Director Alanis Obomsawin spent 78 days behind the barricades filming the movement, living in trench-like conditions to document the Mohawks’ struggle to defend their land. When asked about her creative process, Alanis Obomsawin, the renowned Abenaki filmmaker, always says that first she listens—without a camera in the room—to people share their stories. Marc Glassman is the editor of POV, artistic director of Pages Unbound, film critic for Classical 96.3 FM and an adjunct professor at Ryerson University.. View all articles by Marc Glassman »

The topic of my dissertation seemed easy but only at first glance - I couldn't sleep well any more. This has a particular impact on those who traditionally have not had a voice. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies.

We see the themes of resistance and activism, as the documentary shows us the stand-off at OKA. For full quality, download the "DivX" avi file and play it with VLC ( A feature-length, multi-award winning documentary by Native American filmmaker Alanis Obomsawin set in the thick of the armed confrontation between Native American Mohawks and Canadian government forces during the … Please help improve this article by adding citations to reliable sources. Fill in your details below or click an icon to log in: Think of a movie that fits both. Alexandra Juhasz, meanwhile, deals with oppression that exists in the context of sexual orientation. This film is remarkable because of the intent of the director, an indigenous woman who approaches documentary in order to explain more deeply the indigenous experience from an indigenous perspective.

The board releases its productions to libraries and universities throughout the Canadian provinces and territories, schedules theatre screenings through its centers in Toronto and Montreal as well as the Aboriginal Peoples Television Network (APTN). At one moment I felt an absolute despair to finish my thesis! The documentary is easily accessible for online streaming at the Screening Room as well as through other leading digital media video portals like YouTube, smartphone apps, Facebook and Twitter (However, many of these digital medium were not available when the film debuted). Director . Kanehsatake 270 Years of Resistance – Documentary Review. The film may have also benefited from further highlighting how silly the military intervention is; it is, after all, hard to believe that all the chaos came from a mere few insisting on expanding a golf course. Kanehsatake: 270 Years of Resistance is a 1993 feature-length film documentary film by Alanis Obomsawin, chronicling the 1990 Oka Crisis. This is a story, therefore, of brutalization and violence against the Native people, as well as about their resistance. In every narrative there is a narrator, a voice, an author. The Royal Canadian Mounted Police and eventually the Canadian military took over, leading to a day high-tension standoff. Start your free trial. The documentary's focus on the circumstances revolving around Oka crystallizes the accumulated pain of white oppression. That resulted in a stand-off between the community and the police, and became an issue that the Non-Aboriginal people of Canada could not ignore.

That is exactly what the texts discussed in this essay do. Canadian filmmaker Alanis Obomsawin has made documentaries about the Oka Crisis, including Kanehsatake: 270 Years of Resistance (1993) and Rocks at Whiskey Trench (2000). It's sadly, very believable that these events keep repeating over and over again, and every single time, the oppressed people are treated as villains by media and politicians. On our plane ride into Heathrow, Katie sat next to a small, unassuming lady in her late seventies. It is in this context that Kanehsatake: 270 Years of Resistance is worth noting in the history of documentary. The Mohawks had to fight for their sovereignty. According to the "Alanis Obomsawin: The Vision of a Native Filmmaker", Obomsawin was in the middle of Le Patro, a short film about a Montreal community center, when she heard news of the Oka crisis. Undoubtedly one could argue that this documentary only showed the side of the Mohawk people by focusing on their perspective of the crisis. This is a story, therefore, of brutalization and violence against the Native people, as well as about their resistance.

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